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Angelina Jolie: Back to Work on 'Unbroken' After Family Weekend!

Angelina Jolie: Back to Work on 'Unbroken' After Family Weekend!

Angelina Jolie calls out a direction while on the set of her upcoming film Unbroken on Monday (December 9) in Sydney, Australia.

The 38-year-old actress is back to work after spending the weekend with her very lovely children!

PHOTOS: Check out the latest pics of Angelina Jolie

The day before, Angelina took all of her kids – Maddox, 12, Pax, 10, Zahara, 8, Shiloh, 7, Knox, 5, and Vivienne, 5 – to see a showing of The Lion King.

Earlier in the weekend, Angelina spent some time with her four youngest at a book store.

20+ pictures inside of Angelina Jolie getting back to work on the set of Unbroken

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# 1

Love this woman. So admirable and she’s always in motion. Keep it up, gal.

# 3

They are shooting the period of teenager Louis Z

# 4
groundcontrol @ 12/09/2013 at 1:35 am

Angelina is one of the hardest working and most productive women I have ever seen. What a great example she sets for her children.
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She is certainly not one to rest on her laurels as she could so easily do. Brad is one lucky guy to have this wunderkind as his partner through life.

# 5

eeewww… look at those skeletal & veiny arms – scary much!

# 7

Come on, she’s playing a director, but is not a real director. I’d give credit to the actual editors and second director’s. Like in Madge’s films they did the creative work. It’s like making a film with friends in high school, but with 50 million dollar budget lol!

# 9

NEW PHOTOS:
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Taking charge! Angelina Jolie commands the rapt attention of her crew as she returns to Unbroken set after family fun weekend
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06:38, 9 December 2013 | UPDATED: 06:54, 9 December 2013

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Shortcut to: http://www.dailymail.co.uk/tvshowbiz/article-2520594/Angelina-Jolie-commands-rapt-attention-crew-returns-Unbroken-set-family-fun-weekend.html

Best of 2013: Brad Pitt and Angelina Jolie’s Top Moments
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To say 2013 has been a big year for Brad Pitt and Angelina Jolie would be an understatement. In February, the actress underwent a preventative double mastectomy after genetic tests showed she had a high risk of developing breast cancer.
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When the couple’s Rosé Miraval wine debuted in March, they sold all 6,000 bottles within five hours. Eight months later, Wine Spectator named their fermented grape juice the best rosé in the world.

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In April, Jolie announced that she’d opened an all-girls primary school in Afghanistan. The UNHCR Goodwill Ambassador chose a location near Kabul, where there is a high refugee population and boys’ education is typically favored over girls’. She also co-designed a line of jewelry, with 100 percent of the proceeds going to her foundation, The Education Partnership for Children of Conflict.

In a May 14 op-ed for The New York Times, Jolie announced she’d undergone a preventive double mastectomy three months earlier. The actress made the decision to remove both breasts after doctors informed her that she carried BRCA1 gene mutation. “My doctors estimated that I had an 87 percent risk of breast cancer and a 50 percent risk of ovarian cancer,” explained Jolie, who lost her mother to ovarian cancer in 2007. Her actions received support—and criticism—from celebrities and experts alike. The May 27 issue of Time examined the pros and cons of genetic testing.

Jolie shared her story in a New York Times Op-Ed piece. Given that her mother, Marcheline Bertrand, died of ovarian cancer in 2007, Jolie explained that she chose to be “proactive” in order to “minimize the risk” of suffering the same fate. “I certainly didn’t realize how many people were dealing with this issue,” Pitt later told E! News. “I’m really moved by it.”
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Weeks after Jolie revealed she’d undergone a preventive double mastectomy, she joined Pitt at the World War Z premiere in London on June 2. In June, Pitt hit a career milestone when World War Z premiered. The zombie flick debuted at No. 2 behind Monsters University, taking in $66.41 million—the largest opening weekend ever for the actor.To date, World War Z has grossed more than $540 million on a $190 million budget. Wearing a sleeveless Saint Laurent dress, the mom of six—who had breast reconstruction surgery using implants—looked radiant as ever. “I do not feel any less of a woman,” she wrote in her New York Times op-ed. “I feel empowered that I made a strong choice that in no way diminishes my femininity.”

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Both Pitt and Jolie have new projects in the pipeline: the former began shooting the World War II movie Fury, while the latter began production on her second directorial effort, Unbroken.
In July, Pitt and Shia LaBeouf visited the National Training Center in Fort Irwin, Calif., to conduct research for their World War II movie, Fury. The former got a shorter ‘do for the flick, which also stars Michael Peña, Jon Bernthal, Logan Lerman and Scott Eastwood. The men play American soldiers sent to Nazi Germany in April 1945, when Adolf Hitler’s Third Reich was on the verge of collapse.

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12 Years a Slave debuted to rave reviews in October. Pitt, who produced the movie, plays a Canadian abolitionist who shows kindness to a free man who’s been and sold into slavery. “It’s one of those few films that cuts to the base of our humanity,” the actor said. “It’s why I got into film in the first place.” The movie earned seven Independent Spirit Award nominations—more than any other film—and it’s likely to be recognized more in 2014.
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Jolie next appears in Maleficent (her first movie since 2010); the trailer debuted online the first trailer for Maleficent was unveiled to the public after it debuted at a D23 conference earlier two months prior. Jolie plays the Sleeping Beauty villain opposite Elle Fanning, who portrays Princess Aurora. (Vivienne Jolie-Pitt plays a younger version of the heroine). “I was terrified of her, but I was so drawn to her,” Jolie said of her favorite fairy tale villain. “She had this elegance and grace, and yet she was so cruel. Just wonderfully and deliciously cruel.”
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Capitalizing on the success of her directorial debut, In the Land of Blood and Honey, Jolie began production on her second film, Unbroken. The movie tells the true-life story of Louis Zamperini, an Olympic runner who joined the air force and was stranded at sea for 47 days. He became a prisoner of war after being captured by the Japanese Navy. Garrett Hedlund was cast to play the leader of the prisoners in the camp where Zamperini was held.

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In November, Jolie was given the Jean Hersholt Humanitarian Award. Pitt and their eldest son, Maddox Jolie-Pitt, suited up to support her at the Governors Awards. Gena Rowland and George Lucas each talked about Jolie’s philanthropic contributions, as did stars from her film, In the Land of Blood and Honey. “I will do as my mother asked and I will do the best I can with this life to be of use,” the Oscar winner said. “And to stand here today means I did as she asked and if she were alive she’d be very proud, so thank you.”

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In December, the family of eight boarded a luxury yacht named “Ghost” in Australia’s Sydney Harbor and spent several hours playing in the water and soaking up the sun. Pitt, who had flown in from Los Angeles to reunite with his fiancé and kids, snapped pictures of his loved ones throughout the day.Later that night, the family of eight visited the Sydney Zoo and enjopyed the “Roar & Snore” adventure packages, which included a sleepover after visiting the animal attractions.

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Shortcut to:uk.eonline.com/news/488230/best-of-2013-brad-pitt-and-angelina-jolie-s-top-moments

Directing a huge amount of movie.not a five min.lifetime.

Hello phool,hubby is leaving for Europe …..have to weak up help him ready!

Angleina the example of how to handle Work Life Balance , Bravo keep leading the way.

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Good morning ladies.

Especially shout out to all the lovely ladies out there Rose , Passing Through, NAN, Jaye, Premalee, Josephina, Were the morons, Jen The Hag, Lylian, First and last post, Ssshhii_Baby, Bizzy Bee, noplace, QQQQ, Groundcontrol, Lurker, William Bradley&The Jolie, Susan, Dawne, Tish, Anustin, WonderBust, Love The Jolie Pitts, Fyi12, plez, Busted, JP Fan, Vickifromtexas, tweet, juju, Neer, Love Conquers All, Umm, Bea, trt, Saffron, LLM, valis202, Who, briseis, Lucy, LOL, fyi, ndn, Media Wh@re MANiston, Lylian, Cliniqua, AWHODAT!, juju, Go Figure!, Sunny, Yolly, Observer 2, an oldie, Lucy, Lurker and all the lurkers out there I hope you all have a great day, take care God Bless.

#anustin @ 12/09/2013 at 3:18 am
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Good Morning Anustin
How are you my beautiful Vajtastic sister, I hope he(hubby) has a safe journey to & back, I bet you have requested further gifts for him to bring back hmm let me guess Brads Channel No5, Miravla Wine? lol.

Jealousy kills…..edjit!

@ Passing Through another article on TAOJJBCRF, just in case if you’re interested
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Casey Affleck Lovingly Reflects on ‘The Assassination of Jesse James by the Coward Robert Ford’
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Shortcut to:www.filmschoolrejects.com/news/casey-affleck-lovingly-reflects-on-the-assassination-of-jesse-james-by-the-coward-robert-ford.php?utm_source=rss&utm_medium=rss&utm_campaign=casey-affleck-lovingly-reflects-on-the-assassination-of-jesse-james-by-the-coward-robert-ford

Further additional Photos:
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Angelina Jolie films scenes for upcoming film Unbroken at Camden Showground
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by: Sean Thompson From: Macarthur Chronicle Camden December 09, 2013 4:22PM
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CAMDEN Showground was cordoned off from the public on Monday as superstar Angelina Jolie directed scenes for her upcoming film Unbroken.
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Security guards flanked all entrances in to the showground from 6.30am, with filming taking place through to 8pm.Green mesh fences were installed around the entire showground and members of the public were not allowed inside. Camden police confirmed officers were hired for “use of charges” in a similar way they’re used at major sporting events for crowd control.
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Camden Council also confirmed the film’s production company leased the showground for the day and a staff member from the Crown Hotel in Argyle St also said every room at the motel was booked out. With the showground under the production company’s control, any onlookers with cameras were quickly moved along to keep filming details under wraps.
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Unbroken is set in the 1940s during World War II and is based on the life of Italian-American Olympic athlete Louis Zamperini, who was captured by the Japanese during World War II and forced to compete against enemy soldiers The film stars Jack O’Connell, Garrett Hedlund and Domhnall Gleeson.Vintage motor cars and women dressed in period clothes were spotted moving around the showground during filming and a makeshift sandpit was set up on the oval.
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The showground was likely chosen for its historic look and to ensure no modern cars or buildings were captured with cameras.Angelina’s stop at Camden follows reported sightings of her film crew at Menangle last Wednesday. In November the Blacktown Advocate reported Jolie had hired Blacktown International Sportspark until January to film additional scenes.
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Camden Show Society secretary Lyndy Cornwell said the showground was packed with cars, actors, extras and production equipment.”It was exciting to see it all happen,” she said. “They also hired the show hall for catering and they would have served around 300 people for lunch,” she said.”It’s the quintessential showground, and to see it on the big screen will be fantastic. It’s a very fitting location considering the film’s setting.”
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Unbroken is the latest film in a string of Hollywood movies and Australian TV shows to be shot in the Macarthur region. In April this year Hugh Jackman filmed scenes for blockbuster movie The Wolverine in Picton. From July 2012 Channel 7 filmed scenes for its hit TV show A Place to Call Home at Camelot in Kirkham and scenes for the movie The Sapphires, starring Jessica Mauboy, were shot in September 2011. Filming at Onslow Park today. Picture: Craig Greenhill.
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Shortcut to: http://www.dailytelegraph.com.au/newslocal/macarthur/angelina-jolie-films-scenes-for-upcoming-film-unbroken-at-camden-showground/story-fngr8h70-1226778972514

Angleina Congo Mission:
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Shortcut to: http://blogs.channel4.com/cathy-newman-blog/congo-angelina-mission-expose-warzone-rape/149

Alex Russell gets ready for Jolie
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Sat 07/12/2013

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Entering the final week of shooting crime thriller Cut Snake, Alex Russell is tired and emotionally drained but happy to be working with Sullivan Stapleton, Jessica De Gouw and director Tony Ayres. The Aussie actor will need to find new sources of energy because he wraps Cut Snake in Melbourne on December 13 and flies out early the next morning to Tamworth to work in Angelina Jolie’s drama Unbroken.
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He ought to find plenty of inspiration from collaborating with Jolie, who emailed him after he got the part and asked him to send her any questions he had about his character. During a break in shooting Cut Snake he spent a day filming scenes with Jolie, whom he describes as “very open and encouraging; she is a team player and very passionate about the material.”
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In Matchbox’s Cut Snake he plays Sparra Farrell, a young guy who, after serving a prison term, moves to a new city intending to start a new life and hooks up with the beautiful Paula (De Gouw). Stapleton is brutal ex-crim Pommie, who tracks down Sparra and tries to lure him back into a life of crime.Like Jess, Russell describes the set as very calm, a stark contrast to the narrative which is “erratic and crazy.” He tells IF on the line from Melbourne, “I am a bit drained emotionally, it’s been tiring. Emotions run high, the stakes are high and the emotions are very raw. But the rewards are ten-fold because we realise we are doing justice to an amazing story (scripted by Blake Ayshford).”
Also in common with Jess, Russell has found Ayres to be a “very soothing, nurturing and supportive director.”
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In Unbroken, which is based on a true story, Russell plays Pete, the older brother of Louis Zamperini (Jack O’Connell), who was a member of the US athletics team at the 1936 Berlin Olympics. Serving with the US Air Force in WWII, Louis survived a plane crash in the Pacific Ocean and after 47 days on a life raft was interned in a Japanese prison camp. Pete encouraged Louis, a troubled teenager, to try out for the school’s track team after seeing how fast he ran from the cops.
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United Management’s Natasha Harrison represents Russell in Australia. Hel starred in the Carrie remake after roles in The Host, Bait and Chronicle.Earlier this year he appeared in Will Bakke’s US indie dramedy Believe Me, shot in Austin Texas, as a guy who takes part in a scam to con Christian groups.
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He’s developing several projects that he wants to produce including Raker, based on a short film directed by Aussie Ande Cunningham, in which he plays a journalist in a Dystopian world where journos who don’t tell the truth are executed.He directed a short film, Love and Dating in LA, the saga of a serial killer who looks for love in the city of angels, which screened at the Los Angeles International Underground Film Festival.Alex is he’s keen to direct again but he acknowledges, “I don’t know how people can direct and act at the same time.”

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Shortcut to: http://if.com.au/2013/12/07/article/Alex-Russell-gets-ready-for-Jolie/EKGYEZVQHW.html

Phool, go back to bed before I ring the nurse.

Applogies if already posted but i cant help to celebrate the good news AGAIN Congratulations Brad & Steeve:
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New York Film Critics Online Names ’12 Years a Slave’ Best Picture of 2013
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December 09, 2013 06:10:26 GMT
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The Steve McQueen-helmed historical drama continues its winning streak by getting the biggest prize and helping its cast grab the Best Actor and the Best Supporting Actress titles. “12 Years a Slave” grabs the top honor at another critics awards, adding to its big wins from Boston Society of Film Critics and Boston Online Film Critics. The Steve McQueen-directed drama is named this year’s Best Picture by New York Film Critics Online.
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The N.Y. group also agrees with the Boston film critics as they give Best Actor title to “12 Years a Slave” male lead Chiwetel Ejiofor and Best Actress to “Blue Jasmine” leading lady Cate Blanchett. Best Supporting Actor goes to Jared Leto (“Dallas Buyers Club”), and Best Supporting Actress is given to Ejiofor’s co-star Lupita Nyong’o.
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Best Director is awarded to Alfonso Cuaron (“Gravity”), Best Screenplay to Spike Jonze (“Her”), Best Breakthrough Performance to Adele Exarchopoulos (“Blue Is the Warmest Color”), and Best Cast Ensemble to “American Hustle”. Though missing the biggest prize from Boston Society of Film Critics, Boston Online Film Critics, and New York Film Critics Online, “American Hustle” still won Best Picture from New York Film Critics Circle. “Her”, meanwhile, was a big winner at National Board of Review and tied with “Gravity” at the top honor from Los Angeles Film Critics.
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Best Picture: “12 Years a Slave”
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Best Director: Alfonso Cuaron – “Gravity”
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Best Actor: Chiwetel Ejiofor – “12 Years a Slave”
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Best Actress: Cate Blanchett – “Blue Jasmine”
Best Supporting Actor: Jared Leto – “Dallas Buyers Club”
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Best Supporting Actress: Lupita Nyong’o – “12 Years a Slave”
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Best Screenplay: Spike Jonze – “Her”
Best Cinematography: Emmanuel Lubezki – “Gravity”
Best Breakthrough Performance: Adele Exarchopoulos – “Blue Is the Warmest Color”
Best Use of Music: T Bone Burnett – “Inside Llewyn Davis”
Best Debut Director: Ryan Coogler – “Fruitvale Station”
Best Ensemble Cast: “American Hustle”
Best Foreign Language Film: “Blue Is the Warmest Color”
Best Documentary: “The Act of Killing”
Best Animated Film: “The Wind Rises”
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NYFCO Best Films of 2013:
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• “12 Years a Slave”
• “Before Midnight”
• “Blue is the Warmest Color”
• “Dallas Buyers Club”
• “Gravity”
• “Her”
• “Inside Llewyn Davis”
• “Nebraska”
• “Philomena”
• “Prisoners”
• “The Wolf of Wall Street”

Read more: http://www.aceshowbiz.com/news/view/00066488.html#ixzz2mxv7nv92

Boston critics name ‘12 Years’ as ’13’s best film
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December 09, 2013
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The gripping historical drama “12 Years a Slave” and the man who made it, British artist-turned-filmmaker Steve McQueen, were named best film and best director of 2013 by the Boston Society of Film Critics Sunday. “Slave” also won a best actor award for Chiwetel Ejiofor’s performance as Solomon Northup, upon whose 1853 memoirs of kidnapping and enslavement the movie is based.
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Cate Blanchett was named best actress for her role as a disturbed socialite in Woody Allen’s “Blue Jasmine,” a performance the Boston critics found so compelling that Judi Dench in “Philomena” was a distant runner-up.
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The BSFC is made up of 21 film critics in the New England area; 2013 marks the organization’s 33d annual awards. Reflecting an unusually strong year for fiction films, documentaries, and performances, the awards were spread around liberally. The late James Gandolfini won best supporting actor for his penultimate film performance in “Enough Said,” an honor as fond as it was deserved. (Two actors tied for second place in the category: Barkhad Abdi in “Captain Phillips” and Jared Leto in “Dallas Buyers Club.”) “Enough Said” also won best screenplay for director Nicole Holofcener’s script.
Alexander Payne’s road movie “Nebraska” was the only film besides “12 Years a Slave” and “Enough Said” to win more than one award from the Boston critics, with best supporting actress going to June Squibb as the feisty spouse of Bruce Dern’s character and the entire cast getting a best ensemble award. Lupita Nyong’o, as the tragic field slave Patsy in “12 Years a Slave,” was a runner-up in the supporting actress category.
In an unusually close vote, Josh Oppenheimer’s “The Act of Killing,” in which aging leaders of Indonesian death squads reenact their crimes, was named best documentary over “Blackfish,” a much-discussed expose of the treatment of captive killer whales. The animation race was even tighter, with Hayao Miyazaki’s “The Wind Rises” narrowly prevailing over Disney’s “Frozen” in a year widely seen as weak for animation.
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The best new filmmaker prize, awarded in memory of the late Boston critic David Brudnoy, went to Ryan Coogler for “Fruitvale Station,” while the film editing award, honoring the memory of film editor Karen Schmeer, went to Daniel P. Hanley and Mike Hill’s work on Ron Howard’s race-car drama “Rush.” “Gravity” and Emmanuel Lubezki’s groundbreaking depictions of outer space won best cinematography, while T Bone Burnett’s rich mix of folk music old and new in the Coen brothers’ “Inside Llewyn Davis” took best use of music in a film. “Wadjda,” the first film shot entirely in Saudi Arabia and the first made by a female Saudi director (Haifaa Al-Mansour), was named best foreign-language film.
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While “12 Years a Slave” was the Boston critics’ favorite, the vote might have turned out differently if more of the group’s members had been able to see Martin Scorsese’s “The Wolf of Wall Street,” in which Leonardo DiCaprio plays a bad boy of the 1990s financial industry. “Wolf,” which arrives in theaters Christmas Day, was in the cutting room until very recently and Paramount has scrambled to get the movie seen by major critics groups before their end-of-year meetings. The sole Boston screening came too late for many local reviewers to attend, and “Wolf” came in second to “12 Years” in the best picture, director, actor (DiCap-rio), screenplay, and editing categories. The voting was close — but close counts in horseshoes and hand grenades, not movie awards.
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Shortcut to: http://www.bostonglobe.com/arts/movies/2013/12/09/boston-society-film-critics-name-years-slave-best-film/9GSAwjhuNt6fGbjKFSlWwJ/story.html

• Today at 2:05 AM

Where It Hurts: Steve McQueen on Why 12 Years a Slave Isn’t Just About Slavery
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Inside a cheap Thai restaurant in a Hollywood strip mall one evening a few weeks ago, I told the artist and filmmaker Steve McQueen I’d been nervous to meet him, based on what I’d read in the European press. He looked at me with a start.
McQueen had arrived in Los Angeles a week earlier from Amsterdam, where he lives with his wife and two children. Scheduled to appear later at the Simon Wiesenthal Center’s Museum of Tolerance for a Q&A following a screening of his film 12 Years a Slave, he’d been seized by a sudden hankering for Chinese food while we’d been riding to his hotel. His driver had suggested a restaurant, but it was no longer in business, and McQueen had spotted this place. When he’d realized he did not have a wallet on him, I’d offered to pay, which caused him to be concerned; he made me promise that it wasn’t my own money. At the table, he’d pulled out my chair for me. We were the only customers. Christmas lights blinked in the window. We’d each ordered curry, and when the young waitress came back to ask about the food, McQueen pointed at the B-grade health-inspector placard in the window, joking, in his hurried London accent, that it deserved an A.It was late in the meal when I mentioned his reputation among other journalists. He held his chopsticks in his hand.
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“What did they say?”
McQueen is 44 years old, tall and robust; he wore a T-shirt beneath a lightweight sport jacket and dark slacks and large black-rimmed glasses. He is exacting in his ideas, and sometimes struggles to communicate exactly what he’s thinking (he has occasionally borrowed reporters’ pens and paper to help him articulate his thoughts). He is full of energy.
“That I’m difficult?” he asked.
I rattled off some other descriptions: “curt,” “combative,” “volatile,” “scornfully dismissive,” “bullish,” “arrogant.” He pondered it a bit more. He asked whether I had an idea why this reputation exists. I told him I was more interested in his. “It’s journalists getting uppity, and when I get uppity, they write this.” It was an easy caricature: They expect him to be “from the ghetto,” he said, “to behave a certain way.”
“Excuse me for saying it,” he said, “but I suppose it’s because I’m black.”
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On both counts, the critics are unanimous: Steve McQueen’s 12 Years a Slave is the greatest movie about slavery ever made. And Steve McQueen may well become the first black filmmaker to win an Oscar for Best Director. For his part, -McQueen is happy for the praise but does not see his movie as being “just about slavery.” Nor does he see himself, necessarily, as black.
“It’s a narrative about today,” he says of his film. “It’s not a black movie. It’s an American movie. It’s a narrative about human respect, more than anything.”
The germ of the idea came long ago, around the time he was making his first film, 2008’s Hunger, for which the actor Michael Fassbender literally starved himself to portray the excruciating hunger strike of IRA inmate Bobby Sands. McQueen knew then that he wanted to make a film about a free black American kidnapped into slavery. The story continued incubating as he made his next film three years later, the lushly bleak Shame, also starring Fassbender, this time as a tortured New Yorker addicted to sex. McQueen and his wife, the cultural critic Bianca Stigter, both work from home; when he needs a desk, he uses the kitchen table, though he does most of his work walking around the city or riding his bike or Hoovering their narrow home. He discussed his idea with Stigter, who suggested he base the film on a true story and who discovered Twelve Years a Slave, a nineteenth-¬century best seller long out of print. One of only 192 books written by former slaves, it carries the extraordinary subtitle Narrative of Solomon Northup, citizen of New-York, kidnapped in Washington city in 1841, and rescued in 1853, from a cotton plantation near the Red River, in Louisiana. The story is so astonishing that McQueen likens it to science fiction. “People think they know slavery,” he says. “Often it’s the case they don’t.”
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“As soon as I had it in my hands,” he says, “I was trembling. Every page was a revelation.” The idea he had drummed up “was in my hands virtually in script form.” He asked the writer John Ridley to adapt it; McQueen says that 80 percent of the dialogue is lifted from the book. Brad Pitt had seen Hunger and long wanted to work with McQueen. His production company, Plan B Entertainment, agreed to help finance 12 Years a Slave, with Pitt cast in a small role near the end of the film. (Pitt’s reverence for the project is religious: “If I never get to participate in a film again,” he’s said, “this is it for me.”) With his longtime cinematographer Sean Bobbitt, McQueen shot the film with one camera and in 35 days, drawing inspiration from the Louisiana setting, where “everything was new: the heat, the crickets, the mosquitoes—it was like going to a prehistoric land.” McQueen took seriously his role as patriarch, in order to allow the cast to “make mistakes and then make bigger mistakes,” resulting in a shoot he describes as “joyous.” “We were a family,” he says. “We ate together. We drank together after the shoots. It moves me, gives me goose pimples thinking about it.” Fassbender told me that the level of focus on set was so high “you could almost hear it humming.”
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Shortcut to: http://www.vulture.com/2013/12/steve-mcqueen-talks-12-years-a-slave.html?mid=googlenews

@Shamu: Finally admits it’s in the nut house.

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