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Shailene Woodley & Theo James Take 'Divergent' to SXSW 2014

Shailene Woodley & Theo James Take 'Divergent' to SXSW 2014

Shailene Woodley and Theo James hit the stage at the 2014 mtvU Woodie Awards and Festival held during the SXSW Music, Film + Interactive Festival on Thursday (March 13) in Austin, Tex.

The Divergent co-stars presented a brand new clip from their highly anticipated movie, which hits theaters next weekend.

PHOTOS: Check out the latest pics of Shailene Woodley

The mtvU Woodie Awards recognizes acts to the next level of their careers – including surging record sales, headlining tours and mainstream acclaim and will air on MTV and mtvU on Sunday, March 16th at 8/7c.

FYI: Shailene is wearing a Ralph Lauren dress and Kurt Geiger shoes. Theo is wearing a Joe‘s shirt.

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9 Comments

# 1
Hot Dumb Italian Mike! @ 03/14/2014 at 8:53 am

I hope ” Divergent” does well, they’re working their asses off to sell this film!

# 2

I actually look forward for this film, and it would interesting if this film fail. Vampire Academy failed miserably at box office.

# 3

I don’t know what it is but Shailene Woodley is already beginning to irritate me. Just. Like. Jennifer Lawrence.

Overexposed with all her interviews and her next 5,000 films coming out soon.

# 4

uhm.
She should waer a bra, or a better one than she does now.

# 5

@Phoebe 100% agree .. she looks annoying to me !!! What she said about twilight is so rude…she thinks she is famous already omg nooops way

# 6

iam praying for this movie to fail she is acting like a diva already talk your movie not someone else movie. Flat chest girl who look like she do not have teeth in her mouth.

# 7
Miguel Balandran @ 03/16/2014 at 3:43 pm

I am hoping Divergent will be good. I have read the book and hope the movie will be just as good. If it fails, I would be surprised.

# 8

where can i get her dress?

# 9

Thanks for your comments Debbie. I think the cause of your disttsisfacaion with the movie maybe is perhaps your expectations? And not the film itself?I did a quick search on Google and was happy to find I wasn’t the only one who thought that this was Clooneys best performance. Here’s how Movie Score’ rates Clooney’s performances based on critics and audience voting:1. The Descendants (2011) 87%2. 86%3. Up in the Air (2009) 84%4. 83%5. Michael Clayton (2007) 82%6. Out of Sight (1998) 82%7. O Brother, Where Art Thou? (2000) 81%8. Ocean’s Eleven (2001) 79%9. 78%10. The Thin Red Line (1998) 77%I found your comment that the movie failed on a human or emotional level quite staggering. I remember vividly the emotional impact of the film and was so emotionally devoured by the movie I had to wait until the next day to do the review. I remember one scene in particular, involving Robert Forster, where Payne brilliantly builds up tension and anger in the audience, by making out the father in law out to be the baddie. This anger then melts away like ice under a blow torch when Clooney leads his daughters out of the hospital room and, through a crack in the door and under the watchful gaze of Clooney and his daughters; the audience gets to see the obstreperous old man deliver a tender kiss on the forehead of his dying daughter. A touch of pure class from Payne and painfully realistic. The big event’ you seemed to be waiting for happened right at the start of the film with the speedboat accident, the rest of the movie deals with the aftermath. I think what makes this a great film is what Payne didn’t do rather than what he did do. Sometimes silence is a language in its own right and this, together with subtlety, reserve and understatement are the keys to this film. Making realism dramatic and watchable is indeed a difficult art, which Payne makes look easy. The film is much more than an academic study of relationships; the main characters are developed sufficiently to match the inch perfect pace. There are a few technical flaws to the movie which you didn’t pick up on: namely the score could have been much better and, overall, so could the cinematography although I thought the stunning landscape shots from the airplane and the subtle metaphor of the peninsular and islands representing the family and its generations was simply superb. Given that the preservation of nature was the main sub-plot of the film, I felt that nature went under-represented; I don’t remember a single close-up of any land- or sea-based wild creature. Maybe you are too connected to the subject matter? I would be interested to hear which other re-establishing connection’ movies you are comparing it to? The only one that springs to mind is American Beauty (1999), which isn’t really the same thing…

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