Lady Gaga Guest Edits 'V' Magazine - See the Covers!
The 29-year-old entertainer guest edited the latest issues, which are on sale beginning January 14.
“There is something about fashion that is crucial to my existence. Not only by definition significant, essential to my happiness, necessary, yes—but more definitively, fashion is the cross hanging in my church. It is the anchor in my artistic place of worship,” Lady Gaga wrote in the mag about guest editing the issue.
Click inside to read Lady Gaga’s entire letter for her guest edit…
“There is something about fashion that is crucial to my existence. Not only by definition significant, essential to my happiness, necessary, yes—but more definitively, fashion is the cross hanging in my church. It is the anchor in my artistic place of worship.
When I first thought of what to write to you, I conjured a vision of my friends as the fashion guard. All of the people who have influenced not only me but the world, for decades and generations. I wanted to line them up in all their glory. This issue would be the royal academy of fashion where I would use V Magazine as a proper love letter to the fashion and art community.
But I cannot abide this concept for the issue because it would leave out too many significant, legendary people that have yet to grace V’s covers. I have not yet even begun to dig into my relationship with Donatella and Allegra Versace and Nicola Formichetti, my collaborations with Hussein Chalayan and Alaïa, the inside of my earliest days as a young girl adoring Marc Jacobs, the rainbow of young designers for whom I have troves of “I knew them when” stories, my funny Anna Wintour encounters, or the secrets I know of the many places I’ve been—nothing juicy or gossipy (well, some are, actually). I only really begin to scratch the surface with this issue of what I know.
So what I had to find within myself was something much bigger than a concept for a single issue. I drove deep into the forest of my heart for the concept of every issue. The manifesto. The place of worship. I wish it to explode the conversation of fashion with the most mind blowing and controversial approaches: fashion and imagery that aims to sell nothing, a playground for all the greats to flock and break rules, a place where we can feel free to leave the politics of fashion behind.
My coverhumans share something profound in common that I have observed in myself since I was a young child. It’s an ability through our innate sadness as creatives to find a glimmer of fantasy and hope through our art. Every person on our covers exemplifies the artwork or subject of someone who is a master curator of their own life. I choose the word “curator” to imply, also, the curing nature that their medium then takes on. They cure themselves by making it, and then us by sharing it. All the people on my covers have healed me in some way, and I think some real peace was found between all of us in collaborating amidst our elaborate histories. What they gave to me and each other is a unique understanding of loneliness and passion—when you can look directly into the abyss of your own emptiness, like a canvas, and feel delighted.”