“God, I hope so,” Katie said when asked if she would want to do more Broadway. “It’s exciting because there’s no close-up, so a person has to use every inch of themselves. The way their hand is says something. So you’re never done—and who wants to be done? It’s just another opportunity to keep growing.”
“If you try to layer something on the play that it doesn’t want or doesn’t need, it sticks out like a drunk uncle at a Thanksgiving meal,” Norbert said about the Theresa Rebeck play. “Theresa writes the way people really behave and really talk—and isn’t that funny?”
For more from Katie and Norbert, visit Vogue.com.